As posted at The Huffington Post Religion blog –
I’ll admit it: I was more excited about the return of “Doctor Who” than about Easter. Some may say this makes me a poor Christian — that it should be the communal celebration of the Resurrection that my hearts yearns for the most — but honestly, in the past few years it has been in this story of a self-proclaimed madman with a box that I have encountered the most meaningful depictions of the divine. Easter in many churches these days has become more about creating the most perfect liturgy, scientifically trying to prove the resurrection, or demanding that one must believe in divine child abuse in order to be saved than about celebrating a God whose healing love inspires us to believe and go do likewise. For that I have “Doctor Who.”
“Doctor Who” is one of the longest running television shows in history with its first episode airing in November 1963. In 2005, the BBC rebooted the show with a postmodern audience in mind and it has since gathered a worldwide fan base. The show follows the adventures of a witty and hyper-intelligent humanoid alien “Time Lord” known simply as The Doctor, who travels the universe in his time machine, the TARDIS. The Doctor generally travels with a companion and, as his title suggests, often finds himself in situations which are in need of healing and repair. One cannot argue that “Doctor Who” is necessarily a Christian or even theistic show (despite its habit of having Christmas and Easter specials) or even that the Doctor is intended to be equated with God. The two men who have creatively led and written many of the episodes of the BBC reboot of the show, Russell Davies and Stephen Moffat, are both self-proclaimed atheists. Yet, as producers and writers, they frequently address religious themes and use the character of the Doctor to challenge hollow and dangerous conceptions of God. It is in their attempts to use the Doctor to deconstruct inward-focused religion which has little relevance in a world full of injustice and pain that an alternative, more meaningful, vision of God emerges.
Jack Caputo has argued that a God that makes sense in our postmodern era is a God defined by weakness instead of strength. By weakness he does not mean a “weakness that lacks the power of faith or the courage for action” but a weakness that stands on the side of the powerless, that participates in the reversals which displace the high and mighty and lift up the lowly, and that keeps hope alive when life appears to be hopeless. Caputo writes in “The Weakness of God,” “You see the weak force that stirs within the name of God only when someone casts it in the form of a narrative, tells mad stories and perplexing parables about it.” It is in these mad tales that resonate with the imagination of the age that many of us are encountering an image of God more meaningful than what is being presented in many churches these days.
As we watch “Doctor Who,” we encounter the story of one who far from being above humanity, comes alongside us to not only suffer with us, but inspire us to do the hard work of creating a better world. We see in the tale of the Doctor an example of a figure who calls followers to lives of adventure and wonder, practices radical forgiveness, and welcomes the marginalized and defends the powerless. It is an potential image of the divine that inspires hope, and which (for me at least) grasps what it means to live the way of life Jesus modeled far better than do the pointless attempts to orchestrate the perfect worship service or defend the plausibility of miracles.
So, as the show returned this Easter weekend, I eagerly anticipated immersing myself once again in a narrative about one who saves the world by calling it to participate in acts of healing and love. I wish I could say that I knew I could encounter the same in churches this Easter. As a committed Christ follower, I am tired of Easter being reduced to mechanics. I want more than marathon services or reiterations of the details of Christ’s death and resurrection that try to convince me that merely believing that something happened is the purpose of being a Christian. I want to be called to join in on the adventure of healing the world, in welcoming the marginalized, and living in the revolutionary way of Jesus. Thankfully, “Doctor Who” is brave enough to tell such mad tales even when the church is not.

My experience of the exhibit began as I was walking in and overheard a child asking her father what the title of the exhibit meant. His response was that the church used to use the idea of hell to frighten people into doing what they wanted and that these were some of the images they used to do so. I cringed at his explanation, but then encountered basically the same idea in the commentaries posted by each image. Each one seemed to be explained as “Christ sending sinners into everlasting punishment in hell. Used to convince people to obey the church so that they could avoid such when they died.”
The problem is that is not what I was seeing in those images. I was seeing the baptismal waters of Christ. Even as people were being pulled into the torment of hell by death, the baptismal waters were still covering them and in some it was obvious Christ was rescuing them (see my rather blurry examples). I found it fascinating that these aspects were not mentioned in the commentaries, but that the narrative of Christ punishing bad people by sending them to hell has so infiltrated our cultural imaginations that it is near impossible to admit to alternative narratives. We in our retributive and manipulative culture seem to relish the idea of the wicked getting what they deserve and those who follow the “right” set of rules being rewarded. But, I wonder, how much more poignant (in the full heart-wrenching sense of that term) is the idea of Christ redeeming the world and inviting all into abundant life beginning now?
with the genre for me to be comfortable with it. It is hard to get past the imperialist propaganda of Superman or Captain America out there fighting for “truth, justice, and the American Way.” It is even harder to accept as heroes the billionaire, playboy, philanthropist types who essentially must work to save the world from the fallout of their own participation in the military industrial complex and finance schemes. And while I recognize that more recent comics explore the complex ethics and struggles these conflicts present, that’s not the story my children are discovering.
I love this picture that has been making the rounds on Facebook recently. Strangely enough the first thing this picture reminded me of was an argument that arose during a debate over Harry Potter I participated in years ago. The church I attended decided to host a debate about Harry Potter and I represented the pro side while just about everyone else was on the “we haven’t read the books, but we have read about the books and believe The Onion article that said J.K. Rowling worships Satan” side. Only books 1-3 were out at the time and this was during the heyday of Christian attacks on the books (long before it was obvious that the series had more Christian allegories than even the Chronicles of Narnia). Beyond the typical objections that the books will turn children into Satan-worshipers and encourage them to disrespect authority, one mom complained that she found it inappropriate that at Hogwarts food magically appears on the table at mealtime. Her argument was that she wants her children to have a good work ethic and not to believe that anything in life is free. She wanted her girls to know that preparing meals is hard work and so would therefore be sheltering them from this absurd depiction of people getting something for nothing.
I have to start the list off with
Katniss Everdeen. I love the
President Laura Roslin from
Robin McKinley’s treasured
Beatrice in
I love the movie
I’ll admit, I follow a few celebrities on Twitter – especially the writers and actors of my favorite sci-fi shows. If I didn’t love Firefly/Serenity and Chuck, I probably wouldn’t be following