At a conference I attended recently we sang a worship song one evening with the repeated refrain “He has no power.” The song was a South African freedom song and the cantor explained that the “he” in the song refers to Satan. Knowing how songs of liberation work, the reference to the oppressor Satan here serves as a place-holder for the actually physical oppressors which in this situation would be the white Apartheid government (for more on this in songs see James Cone’s work). In instances of such extreme oppression, it is safe to sing hymns about freedom from Satan, but not so safe to sing openly about the desire to be liberated from the racist forces of the white government.
So there I was in a room full of a few hundred older, very reserved, and 99.9% white Christians who were singing a South African freedom song as if it were a 17th century hymn. It was in the middle of singing the song that I was stopped short by the thought that what we were doing there was the exact opposite of what we were proclaiming in song. How could we truly believe that the powers of oppression have no power if we weren’t embodying any visible sign of it? Beyond the oddity of having someone conduct our singing about freedom so as to ensure we hit the right pitches, the dissonance of the entire situation was unsettling. I couldn’t help but wonder if the act of appropriating a song of liberation from another culture and subduing and anglicizing it was not in itself an act of oppression of the song’s very power all for the sake of allowing us to feel multicultural an affirming of the “other.” Where were the acts of liberation? Where were the faces and voices of those others? Where in our midst was the struggle to turn the world upside-down, destroy the segregation of our churches, and humbly sacrifice our vision of how a worship service must function in order to make room for the hallelujahs of others?
These thoughts stopped my voice in the moment; I couldn’t finish singing the song. I did hear others grumbling about the song after the service. Either they had missed the explanations of the “he” referring to Satan and were upset that we would dare sing that God had no power. Or they were upset that they had to sing about the person of Satan since we all know he doesn’t actually exist. But I was met with blank stares when I suggested that I was uneasy singing a song of liberation in an unliberated space.
I am fully aware that no one there, especially not those who planned that liturgy, had such motives in mind in choosing that song. In fact I am sure they assumed that the choice was one for diversity and inclusion that challenged assumptions about what constitutes proper hymns. But as I reflected on the moment my unease remained. It made me wonder how often in the church we make that promise of freedom into a hollow platitude. Like when we spiritualize the call to release the oppressed and free the prisoners into being simply about overcoming our personal demons. Or twist the call to love our neighbor as ourselves to really be about just loving ourselves. Or preach that Christians shouldn’t be distracted by politics, or economics, or corporate greed (since addressing those issues might require us to live counter-culturally…). We speak of liberation and freedom as if they are facades. They make us look great on the outside, but are so impotent of concepts in our theologies that they do nothing to affect who we actually are. But the veneer of liberation only serves to further hide away the oppression still inside. The most empowering thing for racism is for people to believe it has been dealt with. But that isn’t true freedom.
Liberation cannot be just a guise. Inclusion cannot be trivial. Freedom from oppression cannot be spiritualized away. I had to stop singing because I felt like I was participating in the very act I was claiming to have overcome. There were voices missing in that space and I knew I couldn’t say Satan had no power in the midst of that absence. But even so, all I could do was not sing.